When I was a kid, my favorite game to play was "Teacher." Guess who always played the teacher.
I took things pretty seriously. So seriously, in fact, the other kids stopped wanting to play with me. I may or may not have wanted them to do actual school work and pay attention to my lectures.
I also loved music. Listening, singing, performing. I played the piano for years. So even though I'd fallen in love with writing in high school and even declared English as my original university major, it was no surprise to anyone when I switched my focus to music education.
Not long after changing my major, I took a piano pedagogy class and established my own private studio. I began with six little girls and big dreams.
Around the same time, the leadership of our small Baptist church in Marion, Louisiana asked me to begin a children's choir. They wanted the kids to perform a musical at Christmas. The project wasn't my idea, but I threw all I had into it. We not only performed. I wrote my own productions. Plural. As in one at Christmas, another at Easter, and another at the beginning of summer.
My first children's choir.
Here, I'm modeling three of the props used in my original (and hilarious) children's production of Joshua and the Jericho Thugs—gold chains, plastic crowbars and kazoos. That's right. Kazoos.
After three productions, I decided I wanted the kids to learn to read music, so we worked during the summer using recorders. Because—obviously—I’m a glutton for punishment, but also because I didn't know a better way.
My students loved me, shortcomings and all. (I was pretty fond of them, too.) Most of my private students caught my passion for singing and acting. Carson Richman, the tall girl standing at my right in the photo below, has been involved in choir and theater since she was in my studio. She joined the LSU theater program this fall. Sarah Katherine McCallum, the little brunette on my left has also stayed involved in music and theater. She now takes lessons from one of my vocal instructors, Dr. Claire Vangelisti at ULM, is involved in the Strauss Youth Academy for the Arts in Monroe, and was the fourth runner up at the Miss America Outstanding Teen pageant this year. I can't take credit for how incredible she is now, but I can take credit for the seed. Almost all of the students who came through my studio still actively enjoy music. Which was half my goal.
Part of me knew there was more to give them, but I lacked the skill set to give it, I didn't know how to acquire the skill set, and I ran out of time to figure it out. I became happily distracted with the joys of motherhood in 2009 and scraped by until I became not so happily distracted with the grim realities of chronic disease in 2011.
I kept hoping to get my disease under enough control to teach again, but after two years of frequent anaphylactic reactions, arthritis, carpal tunnel, fibromyalgia, brain fog, and necessary isolation followed by a diagnosis of Mast Cell Activation Syndrome—which is incurable—my hopes died and my inner music teacher with them. Like died died.
I laid her to rest in a locked box, buried her, mourned at the funeral, threw a few flowers on the grave and moved on. It hurt too much to dwell on the loss. Apparently, God wanted me to write. I wasn't supposed to teach music. I was never that great at it anyway, I told myself. So it was just as well.
Meanwhile, my friend Jarrod Richey was doing some exciting things with music education. I met Jarrod in music school at Louisiana Tech. We sang in choir together and both earned our degrees in Music Education.
He went on to earn his Master's in Choral Conducting at ULM and later his complete certification in Kodály methodology. A few years ago, he was hired as the music teacher at Geneva Christian Academy, a small Classical Christian school in Monroe, Louisiana.
Jarrod had been preaching the advantages of Classical Christian education since before Micah was born, so I became interested in the school. When the time came to make a decision about Micah's kindergarten year, I was too sick to investigate the school in person, so I sent my mom.
She reported the school would be an excellent choice based upon the educational approach alone. But when she observed Jarrod teach music to the little ones, she knew it was the right school. "I wept," she said.
The summer before Micah started school, Jarrod put together a Christian music camp called Jubilate Deo. Excited about the opportunity, I enrolled Micah...who came down with viral tonsillitis the second day of camp and couldn't continue. But I heard great things.
Micah began school at Geneva that fall. He would come home and absently sing the folk songs he learned in music class. I loved it. Because my Music Methods college professor was Kodály trained, I understood and appreciated what Jarrod was aiming to accomplish. Over the course of the year, Micah became a tuneful singer. I'd get papers every once in a while of dictated rhythms he'd copied down. Keep in mind—he was in kindergarten.
Every now and then, I would run into Jarrod at the school. "When God heals you, you've got to come help me up here," he would say.
I'd smile and think to myself, "That would be nice."
The following summer, I sat in the back row of the Jubilate Deo Music Camp concert, my mask veiling my slack-jawed expression. I couldn't believe my ears. In five days—five days—Jarrod and his staff had put together an outstanding program.
I, too, wept.
And then about three months later, God began to heal my body.
First, reactions to things I touched disappeared. Then my outdoor temperature reactions. Then my airborne triggers. Then my food reactions. Then my pain and arthritis. Then my energy returned. As much energy as can be expected of a 30-something mom of young kids, anyway. By April 2016, I lived like everyone else. Contrary to scientific explanation and medical prognosis. A miracle had taken place.
God began bringing all of me back to life. I enjoyed renewed intimacy with Him. I was the healthiest I'd ever been. Everything that had died—my personality, my gifts, motherhood, friendship, community, ministry—wasn’t only coming back. It was coming back better.
Except for music. I was done with all of that. You can't be away from music for five years and expect to be any good at it. I didn't even know if I would like teaching music again. Besides, I was going to be a writer.
Sometimes, I think God gets his kicks by proving me wrong.
This past spring, I was blindsided one night by an intense longing to lead others in worship. I'd never felt that before. What did it mean?
My classically-trained, non-belting voice doesn't fit the current worship style of the Church. I sound more like a retro Disney princess than a pop star. Most worship choruses aren't even in a singable range for me. And I've always thought strong singers should be dispersed throughout the congregation to encourage and serve weaker singers. Because the congregation was never meant to be a crowd of spectators, but an army of worshipers.
My call wasn't to the stage. I knew that much. But I couldn't make sense of it.
Around the same time, I was wrestling with my future. I was well. There were expectations. What should I be doing? Writing, obviously. But I wasn't writing! Not anything that would make money anyway. And I was thinking more and more about music and what I was supposed to do with my gifting and education. A lot had been invested there.
One day, we were driving home from church and Brandon said something like, "Why don't you talk to Jarrod about the tuition discount for Geneva teachers and see what kind of deal they might make us?"
I'm embarrassed to admit this, but...I wigged. I totally wigged.
"What are you talking about? I can't teach! I've been away from music for five years. Five YEARS!!! I don't even like it anymore. I'm a writer. If you need me to work, I'll write!"
I was terrified. Terrified to give up my writing dream. Terrified of trying to resuscitate something that was long dead. Terrified I wouldn't love teaching or music or the classroom anymore. Terrified to fail. Terrified that working would pull me away from the ministries I was involved in and had grown to love. Terrified, I tell you.
Despite my overreaction, Brandon remained calm. "Well...if you plan to make money by writing...you probably need to actually...write."
*a series of tiny explosions in my brain*
I'm not going to admit my response to that. But in summary, the truth hurts and pain makes me angry.
Even though our conversation didn't end well that day, I continued to wrestle privately. Because here's the thing—God often speaks through my husband, and I never want to tell God "no" again. Not about anything. Not even the small things only He and I know about. All I want to say for the rest of eternity is "Yes...yes...yes."
Here's what I knew—Brandon would like me to work part time to help pay for the kids' tuition. I needed an occupation while the kids were in school. I felt an inexplicable draw toward music and leading worship. But I wanted to write, and teaching would interfere with writing. And who knew if Jarrod had been serious anyway?
"Lord," I remember saying, "I don't know what to do or what you're doing. But I trust you. I'll do whatever you say. Just make things as clear as I need them so I can obey."
And you know...He did.
To be continued...